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Antokolsky ivan the terrible biography

          Ivan the Terrible (–) Ivan IV was the son of Grand Prince Vasily III, of the House of Rurik, and Elena Glinskaya, who came from a line of Lithuanian..

          When Antokolski turned his attention to Russian history, his Ivan the Terrible () impressed Emperor Alexander II, who acquired it for the Hermitage.

        1. When Antokolski turned his attention to Russian history, his Ivan the Terrible () impressed Emperor Alexander II, who acquired it for the Hermitage.
        2. Mark Antokolski in his Paris studio.
        3. Ivan the Terrible (–) Ivan IV was the son of Grand Prince Vasily III, of the House of Rurik, and Elena Glinskaya, who came from a line of Lithuanian.
        4. Tsar Ivan IV (), Grand Duke of Moscow (), was the first Russian ruler to formally assume the title of Tsar in Antokol'skii researched.
        5. With the images of Ivan the Terrible and Peter I Antokolsky managed to embody the dark and the light sides of Russian history and of human nature as well.


          6. Mark Antokolski
          From Wikipedia, the free encyclopedia

          Mark Matveevich Antokolski in Russian;
          born in 1843 in the city of Vilna, present-day Vilnius, Lithuania,
          died in 1902 in Frankfurt, Germany), was a Russian sculptor who was
          admired for psychological complexity of his historical images and
          panned for occasional lapses into sentimentalism.

          He was born as Mordukh Matysovich Antokolsky.

          Antokolski studied in
          the Imperial Academy of Arts (1862¨C68). He first began with Jewish
          themes, statues: "Jewish Tailor", "Nathan The Wise", "Inquisition's
          Attack against Jews", "Argument over the Talmud".

          From 1868-1870, Mark Antokolski lived in Berlin.

          His statue of "Ivan
          the Terrible" (1870) was purchased for the Hermitage by Tsar Alexander
          II of Russia.

          One such portrait is a ceramic bust of Ivan the Terrible.

          The Russian tsar approved his work and awarded the
          sculptor the title of academic. Mark Antokolski believed that
          sculpture was a social and humane ideal. In order to improv